Saturday, July 23, 2011

Winnie the Pooh ***


Director: Stephen Anderson, Don Hall

During a movie season where sequels have invaded the cinemas to perpetuate the idea that the loudest and the shallowest means the better, it's refreshing that one of the best movies to come out so far is this small, almost impossibly cute adaptation of A.A. Milne's stories starring Winnie the Pooh.
This is the fifth theatrical release starring the honey-obsessed bear and his friends and as such, it's remarkable to see how in a way the series has evolved while preserving its classic values. As has become the norm, Pooh is in search of honey but in the process he gets caught in adventures that include finding Eeyore's lost tail, facing a mysterious creature named the Backson and trying to rescue his dear friend Christopher Robin.
By now, these characters have become so defined by the generations of fans who have grown to love them, that it's quite safe to say that there's nowhere completely groundbreaking where the filmmakers could take this movie. However, even in their iconic simplicity the characters are lovable and manage to engage you in their adventures.
From the blase attitude of Eeyore, to the hyperactive nature of Tigger, the characters remain who they always have been and you really can't hold anything against them. It's a real treat to listen to Pooh question the narrator (none other than John Cleese in this occasion) and a large portion of the film's sequences often remind us that this is a tale being told. The filmmakers more than ever pay tribute to Pooh's literary origins and in a charming manner manage to convey the idea of watching words be put in motion.
The animation is absolutely breathtaking, with the characters handdrawn using bold strokes that contrast beautifully with the watercolor backgrounds. While Winnie the Pooh lacks the sophistication that has made animated films so appealing to adults in recent years, it holds on to grown ups using nostalgia and adequately does so without overstaying its welcome.
At a brisk running time of an hour and a couple of minutes the film's cuteness won't result unbearable for adults and its message won't be too complicated for children. It serves as a perfect generational bond.
The soundtrack features songs performed with twee delight by Zooey Deschanel, which also go perfectly with the film's mood and intention. Winnie the Pooh is the cinematic equivalent of a big mug of hot cocoa with just the right amount of marshmallows.

Sheet-y Saturday.

Where we take a look at posters for upcoming features.

Andrew Niccol doing sci-fi? Count me in! However I'm still unsure of what exactly does Justin Timberlake's "acting" bring to the movies...
Also this poster looks like a CK ad.

The next two posters are for the new Steven Soderbergh movies and ugh, this man is a genius. He hand picked the designers for his marketing campaign and chose some of the best in the business (the ones that make Criterion covers...)
The one for Contagion has a District 9 feel and truly what stands out in this poster, and also in the one for Haywire is that Soderbergh goes beyond the worshiping of the movie star...


...he has some of the greatest living actors in these two movies, also some of the most beautiful people. Yet on the posters he goes for an appraisal of graphic design as an art form. The one for Contagion has a very retro touristy feel. As if disease took over the mentioned cities. It's also important to mention how influenced by industrial design are these posters. The first one loves typography while the one for Haywire pays tribute to the great Saul bass and to iconic movie posters of the 70s without obviously ripping them off.
I have to admit I don't even miss seeing Fassy's gorgeous mug in it...

Excited about the new Soderbergh flicks?

Friday, July 22, 2011

Lanvin Does Right for Emma (Duh?)


I know how much Andrew loves when I talk fashion with Nat over at The Film Experience. But what about the rest of you guys? Head over to Nat's right away and read our latest red carpet lineup!

Potiche **


Director: François Ozon
Cast: Catherine Deneuve, Gerard Depardieu, Fabrice Luchini
Karin Viard, Jérémie Renier, Judith Godrèche

Watching Catherine Deneuve act is one of those things that ultimately can only be called: a pleasure. The way in which she takes hold of the screen with her majestic beauty to deliver uncharacteristically quirky but always marvelous performances, is one of the reasons why anything starring her is an instant must watch.
In Potiche she receives yet another chance to shine on her own terms. She plays Suzanne Pujol, the wife of a wealthy umbrella-factory owner (Luchini) who goes from being a mere "potiche" (French for flower vase and trophy wife) to running her husband's company and eventually finding that she might just be made for politics.
What could've been a forced enlightenment melodrama is instead a whimsical tale about families and creating your identity despite being labeled by others. As usual Ozon lets his flair for the dramatic get the best of him and the movie, which is set in the 1970s, uses some stylistic flourishes that distract from the main plot and the film never really decides if it wants to be whimsical or more character centric.
The supporting cast is extraordinary, Depardieu in particular who has great chemistry with Deneuve but with such an uneven screenplay it's difficult to know exactly what the movie is trying to achieve which makes its twists seem arbitrary and rather ridiculous at times. Ozon can master farce when he wants to but Potiche leaves much to be desired.

Thursday, July 21, 2011

The Boat.


WWII movies are not my forte (they're my dad's...) but this Blu-ray version of Das Boot must be seen to be believed! Go to PopMatters and read my review.

Wednesday, July 20, 2011

Let's Not Ask the Moon.

During one of the most haunting scenes in Rebel Without a Cause we see a group of high school students going to the Los Angeles observatory where they take part of a planetarium exposition.
The sense that there is a world larger than their teenager problems isn't completely evident to them and we see how they all pretty much ignore the stars and do their own thing.

One of them however is concentrating on a star, only not the kind you'd expect. Little Plato (Mineo) is starstruck by the enigmatic Jim Stark (Dean) and who can blame him?
The young actor was the epitome of screen magnetism in this film!

I have always loved how Plato contemplates Jim as if trying to crack into his mind. The bewitching qualities of Dean and their influence on Mineo go beyond vulgar homoerotic suggestions and turn into something magical, they also lead to my favorite shot in the film, only this one has sexual connotations as well:


Just how much beauty can the screen contain at once?

This post is part of Nathaniel's "Hit Me With Your Best Shot" series.

Tuesday, July 19, 2011

Sweet HD Tooth.


Y'all remember Chocolat? That cute little movie people grew to hate because it got a Best Picture Oscar nomination? Which also kept me all confused throughout the entire awards season because Juliette Binoche and Julia Roberts were nominated for Best Actress and their smiles were so similar! Julia kept all demure in the tiny boxes, saving that toothy hole until she won the Oscar. Anyway, the movie came out on Blu-ray and I reviewed it for PopMatters, so go check that out.

Sunday, July 17, 2011

Style Sunday.

The first thing I thought when I saw this dress was "the French are glad to die for love". It's Satine! Nicole Kidman looks better than she has in years in this lush Ellie Saab cherry dress. The length works wonders for her and the tiny flaps on her hips make her look curvier and sexy. Gotta love how the color brings out her hair's fiery richness too!

SJP rocks this Oscar de la Renta, which resembles the Alexander McQueen she wore last year to the CFDA awards. Best of all? The jacket she paired it with, looks like she just "threw something on" before attending a red carpet.


Finally Emma Watson blew me away in this truly magnificent Bottega Veneta. The color isn't only perfect for her pale skin tone, it actually makes her glow! Notice the structural beauty of the dress, on top its nude-ish corset, paired with her slick hair makes it seem like she's a bathing beauty and below the cascading pieces of fabric give her a truly regal appearance. I thought this was a Marchesa but regardless of the couturier, Emma looks magical!

What do you think of these ladies? Love Satine as much as I do? Did you go see Harry Potter this weekend?

Saturday, July 16, 2011

Sick!

I am dying to see this movie, pardon the pun and I discussed the trailer over at The Film Experience, so go check it out!